Skip to main content


 Newspaper  2023

14 pages

edition of 30

 



 


Comments

Popular posts from this blog

 On and On  the Yellow Knitbone shore at Project 78 Gallery https://www.project78gallery.com/onandontheyellowknitboneshore Photos by Karolína Mikesková "This can last a long time, until one erradicates directions. There is no more good sense, they are either special or forbidden, so I went round ...I went round...” From The Giratory Sense by Raymond Devos     Last year we unearthed Comfrey from the marshes and replanted it in a garden that we had access to and also in the front garden of where I live. It was nice to think that this is how one can make a garden, taking a plant from a place where it grows wild and bring it tosomewhere close where hopefully it might find it favourable to grow there too. Gardeners give each other plants and seeds all the time. Bees and birds transport seeds around too. It goes round. ​ Also having Comfrey nearby meant if it was needed to help heal sore bodies it could be done. It also became quite addictive to bring flowers and

FRANCIS

Documentations around the film made during a residency with the school of Apricale, Liguria, Italy. With Catarina Cubelo Film Screening, Set Bermondsey, London and Espace Mira, Porto, Aprical Italy. https://filmfreeway.com/Francis2020 https://www.catarinacubelo.eu/Francis
The Headpeelers. Edition of 40.  The Head Peelers is an Artist self-publihed book (40 copies) that takes as a starting point a trip to Ouessant, the furthest island of the coast of Brittany in France. I explored the island in three days and tried to gather as much material as I could. The trip happened in the middle of winter when the weather is very bleak, demanding and changing.  I have worked with the writer and musician David Toop to turn the journal and notes from the trip into a longer text that is part of the book, where we combined nature observations, ideas, sounds, description of life on the island and experience and failure to make a more fantastic tale. It becomes unclear who saw what, who experience what, and what was really there.  The red cover is such to recall  a «manifesto»  Paul Lafarge's 1808 «The right to be lazy» .